290711

The 29th day of July 2011

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This week is a slight departure from the norm, as is evidenced by the first picture.. metalwork is not a part of the job that I am completely comfortable with but any skill is worth building up, and it is rather fun to create shiny things!

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Today the challenge is to re-create the seven string tremolo used by Music Man guitars, probably something they would not really appreciate so I will change the way it’s put together.

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The  solid brass base plate is flat while the original was more conventionally bent to give the saddles somewhere to screw to.

 

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Another solid block of brass is brought out.

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And milled.

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Drilled.

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Threaded.

 

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Lovely!  Working metal really is rather satisfying.

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I have something really new to learn though, up to now I’ve always used an electric engraver but the ones I have are a bit less refined than I want… Here we are with a new set of gravers.

 

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The Crimson Guitars logo is marked into the brass with a scalpel.

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And then the engraving begins… I see now why this is a skill that takes every bit as long to learn as guitar building, fun though.

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The saddles will be screwed to this section of the tremolo.

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It dooes look rather lovely all polished up.

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My evenings are spent updating this diary, editing video and photo’s… properly cut out photo’s of the recent Plagiarist Vine will be online soon.

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Back to the tremolo, the arm is very clever indeed, first off the little nodule on the bottom is turned.

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The real fun comes in trying to bend the exact same shape as the original arm.

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..

 

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The next part of the trenolo is the block, again made from solid brass, I clamp it to the main plate and drill the neccessary holes.

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The bottom of the block is angled.

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The string holes have been drilled straight through but the spring holes are drilled at an angle.

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The real clever bit, I wish I could say this was my idea!

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A piece of spring steel is bolted to the block.

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The channel it is in passes through the hole the trem arm sits in.

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Stable, solid and positive feeling.. this is how I will do it from now on!

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The twin neck has had it’s primer sprayed on and this has cured nicely.

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Now it is time to flatten it all down, I need a perfect surface at all stages of the finishing process.

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And while it is not the most scintilating of jobs (I much prefer actual woodworking) it is very worthwhile.

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some small sections of end grain caused the primer to sink a bit so some automotive filler is used to build things up.

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I don’t want a grey line showing later on so the masking is taken off.

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And re-applied with a very slight gap, the final colour will wrap around the primer now… it’s the little details that make a custom guitar.

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The next coats of paint are applied…

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It’s almost tempting to leave it at this.. the ‘stealth’ doubleneck or something.

 

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More fun though with this.

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A flip flop colour shifting paint, I love it!

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Again the whole guitar gets a rub down mid-way through the process.

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Blue..

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to purple, and it’s a pearl finish to boot.

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In between the finishing there is still some brass to be turned into something useful.

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The new neck plates are shaped with the big disk sander.

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Drilled and champhered.

 

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Time to practice that engraving again.

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A bigger logo than that on the tremolo will make life easier I think.

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And I’m right.. easier, I’m getting the hang of at least two of these little tools.

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More buffing up

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It’s almost a shame to gold plate these…

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But this is all packed up and sent off for just that process.

 

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The flip flop paint has cured now and the masking is removed from the sides of the fretboard.

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The same story with the paint, the masking has to be moved up a bit so that the lacquer sits around the edge of the paint..

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Back to Robert Fripps next custom guitar..

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The guitar is entirely hollow and picked up rather a lot of dust, I use the compressor to get rid of that.

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It is now, at long last, time for the lacquer.

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Not the best photo.. hardly the best environment for a smartphone :)

 

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You can see the colour changing of the fli flop paint and also the pearlescent part of it.

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The binding on Roberts new guitar does it’s job perfectly… I love it!

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We couldn’t have two more different guitars but I do love a challenge and variation keeps life interesting.

Have a great weekend.

Ben

Crimson Guitars UK

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