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Sunday the 30th of January 2011

1

after buffing up the lacquer on the backplates they are installed.. the main control plate is fixed with magnets and locating pins

2

to allow quick and easy access to the battery while removing the uglyness that is the usual black plastic box!

3

the control knobs are installed

4

and then I have a bit of fun making a truss rod cover from a chunk of solid abalone..

5

after a bit of a tidy up there’s another guitar on my bench

6

James’ custom guitar design is very very interesting.. and the headstock is a real feature!

7

obviously a lot od custom work involved, the beginings of the knurled tuner knobs are.. knurled..

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drilled and threaded

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and the first set is pretty much ready.. I’m very much enjoying the odd bit of metal-work!

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on to this old partially finished tremolo body .

11

it is recycled into a lovely low profile fixed bridge unit loaded with wilkinson saddles

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my aerospace protractor, a thing of utter beauty, is brought out and the string pull marked out on the Delta’s headstock..

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the multi-hued shavings fly

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and the customised locking Sperzel tuners are fitted

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the curved section ended up protruding over the side of the headstock and just didn’t work, so I built a few more with a sleeve to fit over the offending bits

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like so..

18

and here we have, after a few hours, an option that some luthiers charge £300 extra for!!

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a lot of my life is spent painting a black background on all my guitar photo’s.. but it is worth all the late nights when you browse through our gallery

20

the abalone truss rod cover was not to last , too gaudy by half for this client

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so I cut into a chunk of ebony

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and make a new one

23

this certainly is the more refined option of the two.. :(

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(I love this photo!) after some troubleshooting all the wiring in this custom Robert Fripp guitar is fully functional and tested through my little roland synth

25

a basic set-up and then she is left to mature for a while!

26

now, a Robert Fripp Hollow model here.. another victim of our quality control.. the binding had been scraped away too much by an over-zealous apprentice!!

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this was only noticed after applying some finish unfortunately so the oil is all stripped off..

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revealing the elm top and tone-chambered flame pearwood body

29

the replacement binding nececitates a bit of recarving

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but after some elbow grease

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this beauty is ready for finishing

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the fretboard is masked off and the edges of the binding prepared with a good rub-down with 0000 wire wool!

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now the staining begins.. black for starters

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this then is lightly sanded back with the random orbital sander

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and then the red stain is applied..

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the elm in particular looks stunning!  I’m very much in love with the whole red/black thing..38

the multi-ply binding is slowly scraped clean with a new scalpel blade

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and she reveals herself to us!

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the headstock is next up

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and then, after removing the masking, this one is set aside to wait for a spot in the spray booth!

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I play around with some vinyl.. unsuccesfully really

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but we’ll attack the p-90′s covers later on.. for now I mark everything out

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pre-drill

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and indulge in some routing fun!

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lovely!!  I’m planning a curved aluminium top to the pups to match the curvature of the top

49

now, the bridge is recessed

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and finally an access carve is added to give a bit more adjustment and access to to the grub screws..  I can’t wait to see this beauty complete!

All my best to you and yours!!

Ben

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